Harry Houdini

Houdini  handcuffed to a ladderHarry Houdini influenced all facets of magic in America and was celebrated as the world’s greatest escape artist. He rose from humble beginnings to become a renowned magician and illusionist.

Throughout his life, Harry Houdini claimed that he was born April 6, 1874 in Appleton, Wisconsin. He began his professional career at age 17 doing magic shows before civic groups, in music halls, at sideshows, and at New York’s Coney Island amusement park.

 

*Houdini handcuffed to a ladder -- photograph courtesy Outagamie County Historical Society

Biography

A biographical essay by staff at the Appleton Public Library

This essay is based primarily on material provided in the biography Harry Houdini by Adam Woog (Lucent Books, 1995).

Early Life

Throughout his life, Harry Houdini claimed that he was born April 6, 1874 in Appleton, Wisconsin. In fact, he was born with the name Ehrich Weisz on March 24, 1874, in Budapest, Hungary. His father was Mayer Samuel Weisz, a religious teacher, whose first wife had died in childbirth. Ehrich was a child of his second wife, Cecilia Steiner. How many children the couple had is unclear, although six of their children survived to adulthood. Hoping for a better life for his family, Mayer emigrated to America and changed the spelling of his last name to Weiss. Through a friend, he gained a job serving as a rabbi to a small Jewish congregation in Appleton, with an annual salary of $750. His family is believed to have followed him to America in 1876, when Ehrich was a toddler. Stories of Ehrich performing magic and escape tricks while in Appleton have never been verified. His mother claimed that as a child he learned to open locked cabinets to get at pies and sweets she had baked, but the story may be more legend than fact.

Mayer Weiss’s religious views were considered old-fashioned by the Appleton congregation and after a few years he was dismissed from his post. The family moved to Milwaukee when Ehrich was about eight, but times were difficult. From a young age, Ehrich sold newspapers and shined shoes to help support the family. When not working, Ehrich engaged in athletic activities and practiced acrobatic stunts. Ehrich claimed October 28, 1883 as the date of his first appearance before an audience. The nine year-old performed on a trapeze hung from a tree while wearing red socks made by his mother. He billed himself as “Ehrich, the Prince of the Air.”

At age 12, Ehrich ran away from home by hopping a freight car. The train took him to Kansas City, but where else he may have gone, and what he did during that time, is not known. A year later he re-joined his family, now living in New York City but still struggling to survive. Ehrich continued to work at a variety of jobs, including messenger, necktie cutter, and photographer’s assistant. At about this time, Ehrich and his younger brother Theo began to pursue an interest in magic. Ehrich’s idol was the great French magician Robert-Houdin. When Ehrich started performing magic before small groups, he added an “i” to the end of his hero’s name and called himself “Houdini.” The “Harry” is most likely an American version of his childhood nickname Ehrie.

Professional Career

Harry Houdini began his professional career at age 17 doing magic shows before civic groups, in music halls, at sideshows, and at New York’s Coney Island amusement park, where he sometimes performed 20 shows each day. For a time he worked with his brother Theo as The Houdini Brothers. This changed when Harry met Beatrice Raymond, a teenaged singer and dancer who was also attempting a career in show business. Harry and Bess married in 1894 and Bess joined the act as Harry’s new partner. (Theo started a solo career as a magician under the name Hardeen.) Harry and Bess remained devoted companions for the rest of his life. He depended on her to care for him and handle the necessities of life. Harry gave her the credit for his success, and developed the habit of writing her a love note every day.

In 1895, the Houdinis joined the Welsh Brothers Circus for six months. Harry did magic, Bess sang and danced, and together they performed a trick called “Metamorphosis,” in which they switched places in a locked trunk. Not satisfied with the small scale of the act, Harry continued to work on new tricks and to develop his speaking voice and showmanship. He also became an expert at handcuffs. Arriving in a new town, Houdini would claim the ability to escape from any handcuffs provided by the local police. His easy escapes provided excellent publicity for his shows. Houdini offered $100 to anyone who provided handcuffs from which he could not escape, but he never had to pay. Through his increasingly complex escapes and his shrewd use of publicity, Houdini became a headliner on the vaudeville circuit, playing in cities across the country. Not satisfied with that low level of fame, however, Houdini decided to gamble by taking his act to Europe.

In 1900, Harry and Bess sailed to England with no bookings and only enough money to survive a week. Houdini was able to get an engagement at a London theater, but his breakthrough came when he successfully broke free after being wrapped around a pillar and handcuffed at Scotland Yard. The publicity from that escape caused the theater to extend Houdini’s booking. His fame quickly spread and he eventually played there for six months. Sold-out engagements quickly followed in Germany and then throughout Europe. Wherever he went, Houdini called upon local police to restrain him, but he continually confounded the authorities and escaped. To increase publicity, he also jumped into rivers while handcuffed and chained. Allowing the suspense to build, Houdini remained underwater long after many observers were certain he couldn’t survive, only to spring up, waving the chains over his head.

By the time Houdini returned to the United States in 1905, he was an international celebrity. Among the stunts performed to publicize his American appearances, Houdini escaped from the prison cell that held the assassin of President James Garfield, squirmed from a straitjacket while hanging upside down, and broke free from a packing crate that had been nailed shut and immersed underwater. This showmanship also extended to his act. As a regular feature of his performances, Houdini was shackled and lowered into an oversize milk can filled with water and then hidden by a curtain. Though he was usually able to escape in three minutes, Houdini frequently stayed behind the curtain for up to a half hour, making his re-appearance all the more dramatic. On one occasion in England, Houdini allowed the milk can to be filled with beer rather than water. As someone who never drank alcohol, Houdini was not used to the effects of the beer and had to be pulled to safety by his assistants. It was one of his rare failures.

Houdini the Man

Houdini was able to perform his difficult feats by remaining in excellent physical and mental condition. He pushed himself relentlessly. To develop his capacity for holding his breath, Houdini installed an oversize bathtub in his house so that he could practice regularly. Through extensive training, he was able use his left hand nearly as well as his right. While casually chatting with friends, he would perform card and coin tricks without looking at his hands, or tie and untie knots in pieces of rope with his feet. Determined to stay on top of the entertainment field, Houdini refined techniques he had already mastered and continually developed new and more daring escapes.

As his reputation grew, Houdini assumed a leadership role among other magicians. He served as president of the Society of American Magicians and founded the Magician’s Club in London. Houdini was generous with other magicians, but jealous of anyone who attempted to duplicate his escapes. He wrote books and magazine articles that revealed some of magic’s simpler tricks, but carefully guarded his own secrets. Though known to be friendly and warm, Houdini had a large ego, could be touchy and petty at times, and frequently displayed a volatile tempter to his assistants.

In 1909, just six years after the Wright brothers proved that human flight was possible, Houdini became fascinated with airplanes. He bought his own plane, and learned to drive a car solely in order to get to the airport faster. In 1910, he became the first to successfully fly a plane in Australia. After that flight, however, his interest ended and he never piloted a plane or drove a car again. Houdini was also a great collector, with extensive collections of locks, magic memorabilia, autographs, historical items and, especially, books. Houdini collected so many books that he hired a full-time librarian to care for them, and traveled with hundreds at a time.

When America entered the First World War in 1917, Houdini tried to enlist in the army, but was rejected as being too old at age 43. Unable to fight, Houdini preformed free shows for service men, during which he would produce five dollar gold pieces from the air and toss them to the audience. He claimed to have distributed $7,000 in that manner. Houdini also organized shows in support of Liberty Bonds to help finance the war.

After the war, Houdini became an actor, appearing in a 13-part silent film serial called The Master of Mystery. The series was sufficiently successful that Houdini was hired to make two feature films. When those films performed poorly at the box office, Houdini blamed the movie company and opted to make his own movies. He formed a production company with his brother Theo, and controlled every aspect of his next two films, The Man from Beyond and Haldane of the Secret Service. Like his earlier movies, they featured daring stunts and escapes, but also like the earlier movies, they were not successful. Though some of the action sequences were thrilling, critics panned Houdini’s wooden acting and ineffective love scenes. He was so embarrassed at having to kiss another woman onscreen that he gave his wife five dollars every time he did so. Accepting defeat, Houdini gave up on the film business.

When not traveling, Harry and Bess lived in a large house they purchased in New York. The couple had no children, but Harry’s mother lived with them. Houdini was very close to his mother, and her death in 1913 was the greatest tragedy of his life. For weeks after her death, he made almost daily visits to the cemetery, sometimes lying on her grave to speak to her. “My mother was everything to me,” he said in a speech to the Magician’s Club. “It seemed the end of the world when she was taken from me…All desire for fame and fortune had gone from me. I was alone with my bitter agony…” Eventually, Houdini was able to return to work, but he continued to mourn his mother for the rest of his life.

Spiritualism

Partly as a result of his mother’s death, Houdini renewed an early interest in spiritualism, the so-called ability to communicate with the dead. Houdini wanted to believe that such communication was possible, but after many years performing magic, he was familiar with the methods employed by phony spiritualists to fool the public. Passing up better-paying opportunities, Houdini lectured on the subject of fraudulent spiritualists and unmasked many in the cities he visited. In his act, Houdini demonstrated many of the tricks used by spiritualists and wrote a best-selling book, A Magician Among the Spirits, which detailed their deceptions. Houdini had a standing offer of $10,000 to anyone who could produce a psychic effect that couldn’t be reproduced by natural means, but no one ever collected the money. Houdini so strongly opposed the phony spiritualists that he testified against them before a committee of Congress. “Please understand that, emphatically, I am not attacking a religion,” he said. “I respect every genuine believer in spiritualism or any other religion…But this thing they call spiritualism, wherein a medium intercommunicates with the dead, is a fraud from start to finish...In thirty-five years, I have never seen one genuine medium.”

Because of his interest in spiritualism, Houdini developed a friendship with Sir Arthur Conan Doyle, author of the Sherlock Holmes stories, who was a firm believer in spiritualism. Conan Doyle was convinced that psychic powers enabled Houdini to perform his stunning escapes, and refused to accept Houdini’s denials and explanations. Eventually their disagreement over spiritualism and psychic ability led to an estrangement. The friendship ended as they attacked each other publicly.

The Last Days

In the fall of 1926, Houdini took a new show on the road. It was an elaborate, two and half hour performance, requiring Houdini to be on stage almost the entire time. The show featured magic, a section debunking spiritualism, and escapes from a coffin and a Chinese water torture, which had become one of Houdini’s most famous stunts. In the Chinese water torture escape, Houdini’s hands and feet were bound and he was lowered, upside down, into a glass tank filled with water, which was then securely closed. In mid-October, the tour took a bad turn in Providence, Rhode Island when Bess contracted a case of food poisoning. Despite the presence of a nurse, Houdini was deeply worried about his wife and stayed awake all night at her side. By the time they reached the next stop, Albany, New York, Houdini had gone three nights without sleep, his only rest coming from brief naps. Then, during the Albany show, the frame holding his leg in place for the Chinese water torture jerked, causing his ankle to break. Used to performing with smaller injuries, Houdini refused medical care and insisted on completing the show, but was awake all night from the pain. The tour nonetheless proceeded to the next stop in Montreal, Canada.

Ignoring a doctor’s advice to stay off his foot, Houdini stuck to his schedule, including a lecture at McGill University. While there, Houdini met an art student who presented him with a sketch he had made of the great escape artist. Houdini invited the student to visit him backstage before the afternoon performance of his show. The next day, the student and two friends were chatting with Houdini in his dressing room when one of the students, an amateur boxer, asked if it was true that Houdini could withstand any blow to his body above the waist, excluding his face. Houdini admitted that it was true and, despite his weakened state due to his injury and lack of sleep, gave the student permission to test him. Houdini began to rise from the couch where he was seated, but before he had time to tighten his abdomen muscles, the student punched him three times in the stomach. Houdini fell back on the couch, his face white. Although in pain, Houdini performed his show that afternoon. The pain was worse in the evening, but Houdini refused to consult a doctor.

The next day, October 24, despite chills and sweating, Houdini performed two more shows before the company moved on to Detroit, Michigan. Once there, Houdini finally saw a doctor, who urged that he immediately go to the hospital. Houdini refused and, despite a temperature of 102, went on to give his usual performance that night. Only after completing the show did Houdini finally agree to enter the hospital. When doctors operated, they found that his appendix had burst, causing peritonitis, a usually fatal disease in this age before the development of antibiotics. Another operation was later performed, but Houdini was given little hope of surviving. Bess, meanwhile, still suffering from food poisoning, was checked into the same hospital. Believing he was near death, Houdini reportedly shared a secret message with Bess to be used as proof that he was communicating with her from beyond the grave. She would know it was really him if she heard the words “Rosabelle, believe.” “Rosabelle” was the name of a song that Bess had sung at Coney Island in the period when she met Houdini.

Houdini’s brother Theo was at his side when Houdini spoke his last words: “I’m tired of fighting…I guess this thing is going to get me.” Harry Houdini died on the afternoon of Halloween, October 31, 1926.

Houdini’s funeral was held in New York City, where thousands of mourners lined the streets as the funeral procession passed. A representative of the Society of American Magicians broke a wand at the services, beginning a new tradition that has been used for Society members ever since. Houdini was buried at the Machpelah Cemetery in Long Island, New York, beside his parents. Beneath his head was placed a pillow containing his mother’s letters.

Houdini’s collection of over 5,000 books was bequeathed to the Library of Congress. His brother Theo received most of his magic equipment and memorabilia. Theo continued to work as a magician under the name Hardeen; he died in 1945. The bulk of Houdini’s estate went to Bess, who, after paying Houdini’s extensive debts, had enough to live comfortably. For many years Bess tried to contact Houdini through a séance on the anniversary of his death, but died in 1943 without succeeding.

Photographs

Selected photographs courtesy of the Outagamie County Historical Society and The Post-Crescent

An example of a challenge performance. Sidney H. Radner Collection, Houdini Historical Center, Appleton. Courtesy of Outagamie County Historical Society
A posed anniversary photo with Bess at Coney Island. Sidney H. Radner Collection, Houdini Historical Center, Appleton. Courtesy of Outagamie County Historical Society
The first successful flight in Australia, March 15, 1910. (He never flew again?). Sidney H. Radner Collection, Houdini Historical Center, Appleton. Courtesy of Outagamie County Historical Society
One of Houdini's incognito disguises he used in his quest to expose fraudulent spiritualists. Sidney H. Radner Collection, Houdini Historical Center, Appleton. Courtesy of Outagamie County Historical Society
Straightjacket escape. A free demonstration to encourage people to pay to see more at a show. Sidney H. Radner Collection, Houdini Historical Center, Appleton. Courtesy of Outagamie County Historical Society
Jumping into the charles River from the Harvard Bridge in Boston. 1908. Photo by Lew Haskill, Boston Globe. Sidney H. Radner Collection, Houdini Historical Center, Appleton. Courtesy of Outagamie County Historical Society
Advertising in a unique way. The photo was likely taken by Franz Kukol, a long time trusted assistant. Sidney H. Radner Collection, Houdini Historical Center, Appleton. Courtesy of Outagamie County Historical Society
Formal portrait - postcard. Sidney H. Radner Collection, Houdini Historical Center, Appleton. Courtesy of Outagamie County Historical Society
Publicity photo - postcard. Sidney H. Radner Collection, Houdini Historical Center, Appleton. Courtesy of Outagamie County Historical Society
Houdini and unknown foe posing for publicity photo - postcard. Sidney H. Radner Collection, Houdini Historical Center, Appleton. Courtesy of Outagamie County Historical Society
Handcuffed to ladder - postcard.
Courtesy of Outagamie County Historical Society
In humorous mood- postcard. Sidney H. Radner Collection, Houdini Historical Center, Appleton. Courtesy of Outagamie County Historical Society
Aboard the Kaiser Wilhelm II, sailing between Europe and America - postcard. Sidney H. Radner Collection, Houdini Historical Center, Appleton. Courtesy of Outagamie County Historical Society
With costar Ann Forrest in Paramount picture "The Man from Beyond" - postcard. Sidney H. Radner Collection, Houdini Historical Center, Appleton. Courtesy of Outagamie County Historical Society
Stained glass window portraying a young Houdini. Created by Thomas Dietrich of Appleton WI. Courtesy of Outagamie County Historical Society
Became Outagamie County Museum and Houdini Center in 1985 - postcard. Courtesy of Outagamie County Historical Society
Early publicity photograph "A man, naked against the world, bound in chains, deprived of all help..." Courtesy of The Post-Crescent
1880 Census record. Note the surname spelled Weise. Entry for Erich gives Hungary as birthplace. This was changed by affidavit to Appleton in 1940.
Courtesy of The Post-Crescent
Billboard painting promoting a performance.
Courtesy of The Post-Crescent
Advertising poster for the King of Handcuffs.
Courtesy of The Post-Crescent
Early advertising poster. Circa 1895
Courtesy of The Post-Crescent
This was the official Houdini Seance in Appleton in 1986. It continued the string of annual seances held Halloween night since Houdini's death on that date in 1926. Courtesy of The Post-Crescent
The young Houdini.
Courtesy of The Post-Crescent
Houdini's Milk Can. Unloaded at the Outagamie Museum by Christopher Miller, right, curator, and Diane Kromm of the museum staff. 12/1988
Courtesy of The Post-Crescent

Harry Houdini @ Appleton Public Library

A selective list of materials at the Appleton Public Library

Adult Books | Children's Books | Videos | Audio Cassette

Adult Books

Cannell, John
Secrets of Houdini
Dover Publications, Inc., 1973
793.8092 Hou Wisconsin Collection
Cannell, a colleague of Houdini, reveals inside information on Houdini’s world famous tricks.

 

Christopher, Milbourne
Houdini: A Pictorial Biography
Gramercy Books, 1998
793.8092 HouC
A fascinating pictorial biography of a master magician and folk hero

 

Christopher, Milbourne
Houdini: The Untold Story
Crowell, 1969
793.8092 Hou
From records and the memories of those who knew him, the true story of the incredible performer who “made the impossible, possible” comes alive.

 

Cox, Clinton
Houdini: Master of Illusion
Scholastic Press, 2001
793.8092 HouC
Traces Houdini’s rise from humble beginnings to become the greatest magician and illusionist of all time.

 

Epstein, Beryl
The Great Houdini
Amereon Ltd. 19--? (Reprint of 1951 edition)
793.8092 Hou – Wisconsin Collection
A biography that captures the spirit of Houdini and his times.

 

Ernst, Bernard
Houdini and Conan Doyle: The Story of a Strange Friendship
B. Blom, 1972 (Reprint of the 1933 ed.)
793.8092 Hou – Wisconsin Collection Reference
A series of letters between two men who were interested in the mystery of life and death; Doyle, a believer in psychic powers and Houdini exposer of psychic shams.

 

Fago, John
Houdini
Pendulum Press, 1979
793.8092 Hou – Wisconsin Collection Reference
Presents in cartoon format the life of one of the most famous magicians and escape artists of all time.

 

Fitzsimons, Raymund
Death and the Magician: The Mystery of Houdini
Atheneum, 1980
793.8092 Hou
A biography that also reveals the secrets to some of Houdini’s most famous and puzzling tricks.

 

Gibson, Walter
Houdini’s Fabulous Magic
Chilton Books, 1961
793.8 Gib
This book is an explanation of Houdini’s most famous tricks including the straitjacket escape, the underwater box escape, the vanishing elephant, plus many more.

 

Gibson, Walter
Houdini On Magic
Dover Publications, 1953
793.8 Gib – Wisconsin Collection
A compilation of Houdini’s rough and finished notes on a variety of magic tricks.

 

Gresham, William
Houdini: The Man Who Walked Through Walls
Manor Books, 1959
793.8092 Hou
The story of the great magician, illusionist and escape artist, a legend even during his life time.

 

Henning, Doug
Houdini: His Legend and His Magic
Times Books, 1977
793.8092/Hou
Hennings pays homage to Houdini, the greatest illusionist of all times.

 

Hilgert, Ronald
Houdini Comes To America
Houdini Historical Center, 1996
793.8092 HouH – Wisconsin Collection
Details the early years of the Weiss family in Appleton, Wisconsin.

 

Hugard, Jean
Houdini’s “Unmasking”: fact vs fiction
Magicana For Collectors, 1989
793.8092 HouH – Wisconsin Collection
These are Houdini’s writings on the controversial claims of Jean Eugene Robert-Houdin, his one time idol.

 

Houdini, Harry
Miracle Mongers and Their Methods
Prometheus Books, 1981 reprint
793.8 Hou
Harry Houdini examines the claims of those in his own profession and debunks the most outrageous claims.

 

Houdini, Harry
The Right Way To Do Wrong
Amereon House, 19---?
364 Hou
Houdini exposes the various tricks and methods charlatans use to defraud people.

 

Koval, Frank
The Illustrated Houdini Research Diary
Frank Koval Productions, 1992-1993
793.8092 Hou – Wisconsin Collection Reference
2 volumes
Very useful to other Houdini researchers these volumes organize the myriad of information on Houdini that appeared in various books and magazines.

 

Kraske, Robert
Harry Houdini, Master of Magic
Scholastic Inc., 1973
793.8092 Hou – Wisconsin Collection Reference
A brief biography of Ehrich Weiss who gained renown as Harry Houdini, master magician and escape artist.

 

Salm, Kathy Cogger
Harry Houdini, An Appleton Original
K.C. Salm, 1989
793.8092 Hou – Wisconsin Collection Reference
6 volumes
Written for children in grades 1 through 6, each volume is for a different grade level.

 

Silverman, Kenneth
Houdini!: The Career of Ehrich Weiss
HarperCollins Publishers, 1996
793.8092 Hou – Wisconsin Collection
Using scrapbooks and diaries that no other biographer has used, Silverman presents a fresh look at the life of Houdini.

 

Weltman, Manny
Houdini: Escape Into Legend, the Early Years, 1862-1900
Finders/Seekers Enterprises, 1993
793.8092 HouW. – Wisconsin Collection
An in-depth exploration of Harry Houdini’s early career.

 

Weltman, Manny
Houdini:A Definitive Bibliography
Finders/Seekers Enterprises, 1991
793.8092 HouW – Wisconsin Collection
A bibliography and description of the books and magazine articles written by Houdini.

 

 

Children's Books

Cox, Clinton
Houdini: Master of Illusion
Scholastic Press, 2001
921 H81ch
Traces Houdini’s rise from humble beginnings to become the greatest magician and illusionist of all time.

 

Lakin, Pat
Harry Houdini Escape Artist
Aladdin Paperbacks, 2002
921 H81Lh
Describes how Harry Houdini worked hard to become a magician known throughout the world.

 

Lalicki, Tom
Spellbinder: The Life of Harry Houdini
Holiday House, 2000
921 H81ls
The author provides an exciting look into the life of Houdini. Contains many photographs.

 

Kulling, Monica
The Great Houdini
Random House, 1999
921 H81k
Describes how the young Hungarian immigrant Ehrich Weiss worked to become the great magician, Harry Houdini.

 

 

Videos

Houdini
Congress Video Group, 1986
30 minutes
793.8092 Hou – Wisconsin Collection
A career history of Houdini. Includes interviews with his niece, and other illusionists and escape artists.

 

Houdini: The Great Escape
A&E Home Video, 1994
50 minutes
793.8092 Hou
Chronicles the life and career of Harry Houdini

 

Houdini Never Died
Wombat Productions, 1978
28 minutes
793.8 Hou
An overview of the life of Harry Houdini and his influence on all facets of magic in America.

 

Houdini: The Life of the World’s Greatest Escapologist
White Star, 1993
60 minutes
793.8092 Hou
This program traces Houdini’s career as a magician, and spiritualist, and explores his fascination with death.

 

Man From Beyond
Video Yesteryear, 1985
91 minutes
793.8092 Man – Wisconsin Collection
A black and white melodrama of suspended animation and reincarnation.

 

The Truth About Houdini
Wm H. McIhany, 1998
51 minutes
793.8092 Hou
A documentary of Harry Houdini, showing some of his magic and scenes from the séance held after his death.

 

 

Audio Cassette

Houdini, The Final Séance
793.8092 Hou
Original radio broadcast from “Final séance,” produced by George Garabedian, narrated by George Boston featuring the voices of Mrs. Harry Houdini & Dr. Edward Saint.

 

Newspaper Articles

Index of articles from The Post-Crescent

The Appleton Public Library maintains a selective index of articles published in the local newspaper. Here is a list of all article relating to Harry Houdini.

Post-Crescent Articles
About Houdini

* Articles are not available in full-text. Please see our information on requesting copies of articles.

Interview by Edna Ferber

Edna Ferber Interviews Houdini

In July 1904, Edna Ferber encountered Harry Houdini in a drugstore on College Avenue. Ferber, just 19 years old, was the first female reporter for the Appleton Crescent. She took the occasion to interview the famous entertainer, and her account of the meeting was published in the Crescent on July 23, 1904.  This is her article...


IS MASTER OF
LOCKS AND BOLTS

HARRY HOUDINI TALKS ENTERTAININGLY OF
HIS TRAVELS

HE IS CERTAINLY A WONDER

Back in Place of His Birth After Visiting Many Countries-Has Made
Reputation and Competence.
In Great Demand

Imagination pictures a Sampson, massive, towering with enormous hands and feet, a great shaggy head perhaps, and a voice that roars and bellows and shoulders and limbs like pillars of rock.  The reality is a medium sized, unassuming, pleasant faced, young fellow, with blue eyes that are very much inclined to twinkle.  This is Harry Houdini, or rather Ehrich Weiss, as he talks pleasantly and very interestingly dressed in the conventional light grey summer suit, oxfords, flowing tie and sailor hat.  One would never think him of the "profesh" unless maybe, his diamond shirt stud might speak.  But then, Armour wears diamond shirt studs  too.

Houdini, who left this noon for New York, arrived in Appleton, his birth place, Wednesday afternoon, accompanied by his brother Theodore, who travels with him and assists him in his performances.  He spent the time here looking up old friends and renewing old associations.  In August he will sail for Europe where he has a two years' contract and will give no performances while in America.  He is resting here and one can see how he needs a period of quiet when one talks to him, for he is a quick nervous chap, inclined to jump when an unexpected noise is heard and to shut his eyes until they are almost closed; when speaking under excitement.

"My first performance?  Well I remember it well as if it had taken place yesterday.  I am earning now, from $900 to $2000 a week, but my first performance brought me slightly less than that.  It took place in an old field across the track in the Sixth Ward and I did a contortionist act, giving three performances, for which Jack Hoeffler, who was managing them, as now, paid me exactly 35 cents.  "Houdini threw back his head and chuckled reminiscently and thought of the $2000 per.

"What was your most difficult feat, the most difficult escape you ever made?" was asked.

"I think my escape from the Siberian Transport was my most difficult performance.  I was placed in the great vault usually assigned to political prisoners, and when the great door was shut, I had the hardest time of my life, perhaps, in releasing myself.  But nevertheless, it took me 18 minutes to walk out, and face the dazed officials.

"I think that in a year I may retire.  I cannot take my money with me when I die and I wish to enjoy it, with my family, while I live.  I should prefer living in Germany to any other country, though I am an American, and am loyal to my country.  I like the German people and customs.  Why don't I go then?  Why it is too far away from my mother, who lives in New York City with a couple of my young brothers."

And right there you have the whole charm of Ehrich Weiss.  It is worth all the sermons in the world to hear him speak of his mother.  All his plans, all his successes, he weaves about that mother of his.  The fortune he has made within the past ten years, he does not speak of as benefiting himself,  "My mother can have everything that she wants," he says.  Of his father, Rabbi Weiss, who died, he speaks just as affectionately and reverently and in these days of rush and hurry and often disrespect for old age, it is pleasant to hear such filial words.

Houdini's parents formerly resided here and three of the five brothers were born in Appleton.  The father was at one time the Jewish rabbi here, before the Temple was built.  The meetings used to be held above one of the stores on College Avenue, between Oneida and Morrison streets, and this morning Houdini made visit to the familiar place and the little office which used to be his father's and "where I used to get my spankings," he said.

"Where do you receive the best treatment?  What people are the most cordial?"

"Oh, the world is alike.  When they are pleased they laugh and are pleasant and when they think they are being cheated and are displeased then they scowl and jeer and hiss.  They do this, you know, whether they are French, German, Russian or English, for after all they are all human beings and governed by the same impulses.  I make the most money, I think, in Russia and Paris, for the people of those countries are so willing to be amused, so eager to see something new and out of the ordinary."

"Now, don't you exaggerate just a little bit when you are giving your performances?  Don't you make is a trifle worse that it looks?  And is it a feat of strength, or a trick that you resort to?"  All these were put inquisitively to the young man.

"Well, I fail to see how any exaggeration would help me," replied Houdini good naturedly, "the chain and bolts and bars and handcuffs are of iron and steel, and I shouldn't care to exaggerate those.  My secret?  Well certainly it is a trick of my own.  No house or bank would be safe from prying hands if I revealed it to the world.  I should be doing a great wrong to give it up, for nothing would be safe.  Why when I was in England I was offered an enormous sum of money if I would consent to establish a school of burglary there.  Noted thieves and bank robbers came to me with the request."

The reporter was allowed to feel his forearm, which is amazing, as massive and hard as a granite pillar.  His neck too, is large and corded.

Houdini carries with him an enormous book, wonderfully interesting to look at, containing hundreds of newspaper clippings from papers all over Europe, from England, Scotland, France, Prussia, Austria, Russia, everywhere, with cartoons, pictures, cuts, telegrams, challenges, bills and interviews.  They go to show the furore the man created in foreign countries and one clipping Houdini proudly exhibits is that taken from the London Times, the most conservative paper in the world, which never gives a professional a voluntary notice and which gave Houdini half a column in flattering comment.

Houdini not only breaks chains and handcuffs, he writes, writes entertainingly and well.  The New York Mirror, for which he is traveling correspondent while in Europe, prints whole pages of his letters, which are very chatty and readable.  He is well paid for this work.  Houdini was married when but a little over 19 years of age, and his wife, for whom he had a great affection, is staying now with his mother in New York.  Mrs. Weiss accompanies her husband everywhere in his foreign travels, and assists him in his performances.  Though only 30 years of age, Ehrich Weiss has made his own fortune and from a poor fatherless boy has grown to wealth and ease, both of which he shares with his mother and brothers.

Other Websites

A selected list of other Houdini sites

Web Sites

Outagamie County Historical Society: Houdini
Houdini related pages including Houdini Facts, a Houdini Reading List, and a Museum shop.

 

Houdini: A Magician Among the Spirits
A virtual exhibit from the Outagamie County Historical Society.

 

Houdini in The New York Times
Houdini in The New York Times is a free resource for Houdini
enthusiasts and researchers who might not otherwise have access to the
hundreds of Houdini articles, features, and letters that appeared in
the Times during the first half of the twentieth century.

 

American Variety Stage: Houdini
The Houdini component of the American Variety Stage Collection comprises 143 photographs and 29 related items of personal memorabilia that document the career of Harry Houdini. From the Library of Congress.

 

Houdiniana.com
Claims to be "The Largest Electronic Archive in the World on Houdini"

 

Houdini: The life and times of America's greatest magician
This site from Magictricks.com includes a photo and poster gallery, biographical information, and information on the The Houdini Cyber Séance

 

 

Articles

Houdini and Conan Doyle: the story of a strange friendship.
Skeptical Inquirer, March-April 1998 v22 n2 p40(7)

 

The medium and the magician. (Mina Crandon and Harry Houdini)
American History, August 1999 v34 i3 p38(7)

 

In Wisconsin: rekindling a magic spirit. (Houdini's anniversary)
Time, Dec 1, 1986 v128 p14(2) (by J. Madeleine Nash)